Generally NOT a fit for third-person. I’d work on some third-person books (esp. PBs!), but strongly prefer first-person, as I often find it easier to connect with a character’s voice & interiority in first-person.

I have nothing against third-person; this is just my own taste!

I am NOT a fit for:

-Racist, homophobic, transphobic, ableist, xenophobic, misogynist, or otherwise discriminatory content

-Rhyming picture books

-Early readers, chapter books

-MG with a protagonist under 12

-Adult books

Specific Interests continued (II):

-Beach settings

-Knitting

-Gymnastics (BREAK THE FALL by Jennifer Iacopelli) or swimming, but note that I'm not a huge sports person otherwise

-Holidays (any holidays, especially underrepresented ones! I’m a huge holiday person.)

Specific Interests continued:

-Singers, music, musical theatre

-Pets (cats!!), esp. if the owner was hesitant at first

-Retellings (not so much retellings of popular fairytales, though—love DON’T LOOK BACK by Lilliam Rivera)

-Characters who don’t want kids

Random/specific interests:

-Death/grief (INTO THE DEEP BLUE by Jennifer E. Archer)

-Endometriosis, adenomyosis, hearing loss, brain tumors, trouble walking/balance disorders

-Asexual characters

-Fat characters *NOT* interested in weight loss

Sparingly open to nonfiction in picture books, from educational to memoir.

I'm open to bios; I prefer underrepresented subjects (NIKI NAKAYMA: A CHEF’S TALE IN 13 BITES by Debbi Michiko Florence).

Informative with some wit, like Mary Roach for kids!

I also love author-illustrators/teams! However, I am NOT a fit for art-only queries.

For some styles I like, check out the M&O team of picture book illustrators: Stacey Byer, Maribel Castells, Rachel Más Davidson, Tiffany Golden, Skylar Hogan, Dawn Masi, Sue Safianoff

-Disability, in both fiction and nonfiction

-Diverse cultures, holidays, traditions, identities (THE PROUDEST BLUE by Ibtihaj Muhammad, YOU ARE THE COLOR by Rifk Ebeid)

For both—again, open to any format/premise here!

I'm looking most for SEL-driven PBs in general! Topics of interest:

-Grief – hopeful but not saccharine; honest about the heavy parts. (THE HOLE by Lindsay Bonilla)

-LGBTQIA+ – Anything from celebratory, to informative, to issue-based (WHAT ARE YOUR WORDS? by Katherine Locke)

*NEW: I've learned that I almost always prefer picture books with human protagonists. If I did take on a picture book with an all-animal cast, it'd be heavily SEL-driven (POCKET FULL OF SADS by Brad Davidson and Rachel Más Davidson).

Picture books: I always knew this would be the smallest area of my list, as I work on so many wonderful PBs with my boss @ChristaHeschke , but I've become even more selective with them.

Anthology pitches: The industry is still not always full-steam-ahead on them, so my consideration may be a bit narrower than novels, but I’m interested, for both fiction and nonfiction. (THIS IS OUR RAINBOW and BEING ACE are favorites!)

I'd love to see ghost stories! I may be a bit more selective here, as I'm lucky to have a gorgeous ghost story on my list (hi again, @k_dishmon !!), but feel free to try me.

Note that I’m not a fit for other paranormal characters ( werewolves, vampires, zombies, faeries, etc.).

I also like murder mysteries, especially with dual timelines (WHERE SECRETS LIE by Eva V. Gibson), but ntoe that I don't tend to love plots with heavy police involvement.

Thriller/mystery/suspense: More open here! Though note that I tend to like more focus on character/relationship than is most typical for these genres--not necessarily as plot-driven as is typical--and very literary writing (I WILL NEVER LEAVE YOU by Kara A. Kennedy).

Historical: I prefer stories stories set in lesser-told times in history that feature underrepresented perspectives and have a human-interest element alongside the education (HER REBEL HIGHNESS by Diana Ma).

Dystopian: I prefer stories that have social critique, magic, or both (BLOOD LIKE MAGIC by Liselle Sambury, INTERNMENT by Samira Ahmed.)

I'm NOT a fit for apocalypse or post-apocalyptic stories.

Historical and dystopian: I'm open to works set up to 100 years in the past or the future. I also learned in my first year that I don't tend to connect with projects set farther away in time.

*NEW: In both MG & YA, I learned over my first year that I'm almost always a better fit for contemporary fantasy than I am for genre fantasy.

Still happy to consider fantasy if you think I'm a strong fit for other reasons, but this is something I want to be forthright about!

YA and MG contemporary fantasy: My second love! I’m interested in the same topics, and will look foremost for lyrical writing and character focus, with unique but very grounded magic systems. Comp: THE NATURE OF WITCHES by Rachel Griffin.