In historical fiction, I would love something witchy and gothic. My taste tends towards under-represented voices from history, rather than a regency court romance. I'd love historical fiction by black and Asian voices. I love historical +mystery, or historical +love story.

I'm also looking for that book-club/psych thriller middle-ground, in the vein of Liane Moriarty, where there are lots of dark secrets and surprising twists and characters that could be someone you know.

In crime fiction I'm still on the hunt for a great new regional British crime series. I love atmospheric, character driven, rich crime stories like Tana French. I love modern twists on classic detective fiction. I like locked room mysteries and cosy crime villages.

(I love queer fiction and queer stories, from all parts of the sexuality and gender spectra, including coming out and coming of age stories but also just LGBTQ people doing normal stuff people in books can do - solve crimes, fall in love, makes mistakes and find themselves)

I'm looking for dark, gritty or issues-driven contemporary fiction. I'm here for tricky family dynamics, generational divides, the nuances of modern relationships. I loved My Dark Vanessa, Normal People, Such A Fun Age.

Right now I'm looking for contemporary fiction (both commercial and upmarket), historical fiction and crime fiction. I'm really keen to hear from diverse voices - BIPOC writers, LGBT writers, regional writers, disabled writers, working class writers, writers without a degree.

I think it's probably time I posted a new #mswl, isn't it? First things first, submissions guidelines are here: theblairpartnership.com/submissions/ and more info on me is here: theblairpartnership.com/2019/10/09/spo…

“Fandom books and other illustrated, geeky/pop culture non-fiction for YA and MG (maybe even PB?) readers.” @readbystephanie #MSWL psliterary.com/submissions/

No, their client list.

I will either call you instantly the moment I decide to offer, or email you for a time to chat. When you refer to "agents" in this question, I assume you mean "editors." I would never offer rep unless I could think of at least 10 editors who may love this as I am reading.

I think genre is important. I would base it on your comparables.

Nice to having met you. Honestly, I would wait 2 months, but not longer to check in on a partial, especially if it was at a paid event.

In a query, no. In a synopsis, yes. But I never request a synopsis so please take my advice with a grain, or several grains, of salt.

I interpret that response as a "not for me." It's neither a good sign nor a bad one, it's just a way to respond. I'd keep going based on that.

I would wait 3 months, and then it is appropriate for sure. I would respond, but I cannot speak for others.

It depends on the agent. If you wrote a lousy query letter to me, I would likely pass instantly, & not look further. If I love your query, I will ask for the full. & then, I need to love whatever I am reading to keep reading. Other agents, incl. at Triada US, do it differently.

No change. They come in 50+ each day. And that makes me happy. Some normalcy is reassuring these days.

First name is fine.

That depends. Sadly, these days it can take me months, and other times, days. It depends on how busy/distracted/focused I am both professionally and personally. My average is probably 7 or 8 weeks. Sometimes I wonder if I should offer or request an R&R. That could delay things.

My #MSWL went live today! Feel free to check it out at manuscriptwishlist.com/mswl-post/whit… if you're curious about more things that I'm interested in seeing for graphic novel pitches!