I'd say yes, but with full disclosure that it's an extensive revision of one they'd seen before.

You can slip that in, but honestly, as an agent, I wouldn't believe it until I saw the actual recommendation.
Sadly, the liars have jaded me.
But, it may hold more weight with a different agent.

Sadly, NA has a bad rep so I wouldn't pitch it as that unless the agent is looking for NA.
Yes, "YA with crossover appeal" is my vote.
Harder to place YA in adult, than YA cross in YA, but there have been some exceptions lately, esp in Fantasy, so this might be evolving.

I don't know if the majority of agents are editorial, but I'm going to say the majority of agents I know are, yes.
And yes, extensions can be made. Best to ask for more time upfront, honestly, so it doesn't mess up a publisher's production schedule.

As a writer I jumped genres (and even categories), and my agents pitched it all. So, just be sure when you query to look for an agent who reps widely, and if they offer, be sure to ask them how THEY feel about it. Better that than signing and springing it on them.

In my case, very poorly. I used to read about a half dozen books a year, but now, I'm like MAYBE 3.
I love and admire all agents who manage to read more. They're a necessary part of the job, as palate cleansers and a temperature of the market.

If you have another comp that's less than 5 years old ALSO, then I see no problem with MHC as a comp. I LOOOOOOOOOOVE MHC.

I have opinions on this, but I always hesitate to say them for fear people will take it as prophecy or the ultimate truth...but, in my ever so humble opinion, dystopia and paranormal are due for a comeback. YA space opera isn't impossible, just in less demand at this time.

You can round up. It's likely to change if we sign and do edits anyway.

I know several agents who will be there! I'm going to be checking them too. Pitmad is never a waste of time, but also, querying works just as well.

Pitch the first book and mention in the query it's intended as a first in a series. Have book 2 and 3 pitches on standby. If the agent loves the first book, they're likely to ask what you have planned for the rest.

I think this depends on the agent. It's certainly EASIER to shop a writer w/n the same genre, but I think a writer has to be open to other genres if they can't land a deal in that one. I write in several genres and my agents have been flexible. I would hope most agents are too.

I'm on Query Manager, so it doesn't pertain to me, but I'd say details first, pitch second. I don't think it's a deal breaker either way though

I might be one of the few agents who doesn't put a whole lot of stock in queries. The sample pages are more important to me. Off the cuff I'd say professionalism, an ability to follow direction, and a brief explanation as to why they queried me specifically. Aside from the usual.

Query them and maybe put "Offer of Publication" someplace in the subject line? Send the query, sample pages, and let them know you've had an offer and are looking for an agent to either a) negotiate this one deal and that's it, or b) negotiate the deal and sign you.

Some agents rep novellas, so it's not a blanket no.
You'd have to check their query specs first.

First 5? A strong voice and starting the story in a compelling scene.

I honestly don’t care about star rating—it’s more about experience in working with editors, etc. so yes, mention! But ratings are eh #askprintrun

Well in publishing distinction is mostly sales—market-wise MG is a bit more open, but the difference is relatively slight. Academically, MG is about finding a place w/in immediate social structures and YA is about finding it in a community #askprintrun

#AskAgent advice? Get ready to be surprised. Just when you think the rules apply to book publishing, they don’t. I’ve seen many authors subvert the rule of thumb that a difficult freshman publication, will inevitably make for a difficult sophomore publication. #writingcommmunity