Literary Agent
So I would say that's the biggest problem, is that the industry itself is not diverse enough and it's not enough for privileged people to start maybe repping or acquiring books about marginalized people. #AskFuse (5/?)
Literary Agent
I was on a great panel for @MinoritiesinPub hosted by @jbakernyc a full 3 years ago where we talked about this problem, and it has not gotten any better since. You can hear the audio on my website's Media page if you're interested. #AskFuse (4/?)
Literary Agent
So part of "what's going on in the industry" is that the industry is inhospitable & does not pay well, so it self-selects, ideally, for a rich kid from NYC who can live w/their parents & work for pennies for years. And statistically those kids are more often white. #AskFuse (3/?)
Literary Agent
Connor Goldsmith @dreamoforgonon
This will take a thread, so bear with me. This is a topic I'm passionate about, and one of the primary goals of my work since I got into publishing in 2012. I'm thrilled activism from orgs like WNDB has made this a more commonplace ideal... (1/?) #AskFuse twitter.com/ShanaHartmann/…The problem is that for a lot of white, or straight, or [whatever other majority category] people, diversity is just that: a nice ideal, rather than something they think a great deal about. And overall, publishing is VERY white and very upper-middle to upper class. #AskFuse (2/?)
Literary Agent
Spartacus Prime @ShanaHartmann
@dreamoforgonon @FuseLiterary It seems every agent these days is open to diverse voices, so why do we still see so little racial diversity especially? And what about racially diverse MG & YA books that AREN’T issue oriented? Can black kids just have fun too? What is really going on in the industry? #askagentThis will take a thread, so bear with me. This is a topic I'm passionate about, and one of the primary goals of my work since I got into publishing in 2012. I'm thrilled activism from orgs like WNDB has made this a more commonplace ideal... (1/?) #AskFuse twitter.com/ShanaHartmann/…
Literary Agent
Connor Goldsmith @dreamoforgonon
That's called tie-in work (or "IP") and it's case-by-case. If a client is *looking* for IP work, I'll reach out to editors who specialize in tie-ins and ask about their licenses. Sometimes a license (or an ed on its behalf) approaches the author. #AskFuse twitter.com/cwbuecheler/st…Tie-ins aren't usually v. lucrative contracts, but they get your name out to loyal franchise fans who could potentially also become loyal fans of *yours*. I only encourage it if you can make time between original projects. You need your own IP to direct the new fans to. #AskFuse
Literary Agent
Chris B-eeeek!-ler 👻 @cwbuecheler
@dreamoforgonon I've got one: if you have a client that wants to do work in an existing franchise (can't think of the name for this), do you try to make that connection for them? Or is it more that you find out something like that's available and mention it to your writers?#AskFuse
That's called tie-in work (or "IP") and it's case-by-case. If a client is *looking* for IP work, I'll reach out to editors who specialize in tie-ins and ask about their licenses. Sometimes a license (or an ed on its behalf) approaches the author. #AskFuse twitter.com/cwbuecheler/st…
Literary Agent
Double Bones with Doctor Skelebone @hatchingphoenix
@dreamoforgonon Am I better off pursuing representation for Novellas or subbing directly to slush piles? #askfuseI'm biased, obviously, but I think it's always better to have rep and would recommend having an agent for anything novella-length or longer. It can be tricky to get an agent with only a novella, though, as there aren't a lot of sub options. #AskFuse twitter.com/hatchingphoeni…
Literary Agent
Linda Tirado @KillerMartinis
@dreamoforgonon @FuseLiterary How do I best explain to people who “want to meet my agent” that this isn’t how any of this worksI actually do take referrals, but in general I get what you mean. I would say just gently tell them they need to query as normal; stress it's policy. But if it's someone you actually want to recommend, then they should note you as a referral! #AskFuse twitter.com/KillerMartinis…
Literary Agent
Drew Egan @DrewEgan1
A lot of writers seem to be asking about comp titles in their pitch. But I’m running out of space. Are comp titles required? Encouraged? Not necessary? #askDVpitDefinitely not! Just your pitch + genre/age category :) #askDVpit
Editor
Ryan La Sala @Ryality
In no way do I think this will be helpful, but my comp titles for REVERIE were...INCEPTION v. RUPAUL
But it worked???
#AskDVpit twitter.com/laurenspieller…
The most effective "X meets Y" is always one where the combo is surprising! So agents/editors are desperate to know how on earth you pulled it off. Which, I am not one of the lucky folks who've already read REVERIE but I've been WAITING. 🤩 #askDVpit
Literary Agent
Cimone Watson @bachbunny
Favorite recent read? #askDVpitTHE GOOD LUCK GIRLS and RULES FOR VANISHING are recent faves #askDVpit
Editor
Cimone Watson @bachbunny
Favorite recent read? #askDVpitWell, Twitter, y'all know how I feel about THIS IS HOW YOU LOSE THE TIME WAR. Also finally read THE POET X which is an absolute tour de force. #askDVpit
Editor
Lauren✨Pierre @boxfulthoughts
When looking for comp titles, is it better to focus on similar themes rather than similar content? Ex. Using a contemporary middle grade GN about friendship as a comp for a manuscript that's also about friendship, only in a fantasy setting. #askDVpitIn a case like this, I would suggest being specific about what you are comparing. "The strong friendships of X and the rich fantasy world of Y," perhaps. Or "TITLE with a fantasy spin." You want to make sure the ms delivers what your pitch promises. #askDVpit
Literary Agent
Lauren✨Pierre @boxfulthoughts
When looking for comp titles, is it better to focus on similar themes rather than similar content? Ex. Using a contemporary middle grade GN about friendship as a comp for a manuscript that's also about friendship, only in a fantasy setting. #askDVpitI suggest sticking to genre. But you can always indicate what it is about the comp that is similar. So “The voice of X” or “the friendship story of Y” #askDVpit
Editor
Lauren✨Pierre @boxfulthoughts
When looking for comp titles, is it better to focus on similar themes rather than similar content? Ex. Using a contemporary middle grade GN about friendship as a comp for a manuscript that's also about friendship, only in a fantasy setting. #askDVpitSo something that is common to do is "[Comp #1] meets [Comp #2]," which means you'll then have something for the friendship and something for the fantasy to comp to, using your sample below #askDVpit
Literary Agent
Drew Egan @DrewEgan1
Same question for me. I’m new to Twitter :) #askDVpit twitter.com/najwamoses/sta…yep! you might get hearts from editors too, if they are the kind that can consider un-agented materials. just be ready to send your query and sample pages to the agents/editors who like your pitch. they are instructed to tweet submission instructions before particpating #askdvpit
Literary Agent
Literary Agent
Editor
Carolina Ortiz @pushthepanorama
Yes to both! But if your comps are wildly different from each other take a second look--in general, they should be on the same wavelength. Also, love a good film or tv comp ;) #askDVpit twitter.com/najwamoses/sta…Oooh, except in the case of "X meets Y"--if your X and Y are too similar, what's the middle ground where they're meeting? An "X meets Y" piques my interest when the combination feels unexpected. #askDVpit