Q3 Psychological thriller. Opening chapter doesn't work but there is promise so I need to see more. Full request. #tenqueries

Q2 Rom com. Not taken with the premise or set up. R. #tenqueries

Q1 Women's fiction. Writing promising but just not my kind of story. R. #tenqueries

Q226: C R. The tropes are there, but I just didn’t feel the connection between the two MCs. Pass. #500queries

Q225: C YA romance. Good setting, but it feels a little issue-book-y. Pass. #500queries

Q224: Not a bad premise for this C YA, but I’m missing a WHY--why is this character going on this adventure? Pass. #500queries

Q223: WF (which I don’t rep) that’s a thinly veiled memoir. Pass. #500queries

Q222: If your book isn’t finished, don’t query. Pass. #500queries

Q221: I like SF with multiple MCs, but these two just dance around each other, never interacting. Pass. #500queries

Q220: YA adventure. I don’t know why, but I’m really not into the concept. Pass. #500queries

Q219: I’m 100% sure this is a SF novel by someone who doesn’t know what SF is. Pass. #500queries

Q218: UF. Too long; got bored halfway through. Pass. #500queries

Q217: SF. About 20K too short and a little Chosen One-y. Pass. #500queries

Q216: A hook is excellent, but a query is a hook + specifics about the book. Mainly, who the MC is, what they want, and what’s standing in their way. This was missing. Pass. #500queries

Q215: Techy hard SF is a hard sell for me. This one didn’t have a twist, so pass. #500queries

Q214: Three sentences does not a query make. Pass. #500queries

Q213: This vague F query helps no one. I’m bored, and the author doesn’t get to partials. Pass. #500queries

Q212: A query is not a synopsis. If I get sent a synopsis instead of a pitch, I’m going to pass. #500queries

Q211: Forgettable time travel. Pass. #500queries

Q210: Holy rhetorical questions, Batman! Pass. #500queries