
Literary Agent
Q136: Enemies-to-lovers romance. Such a sucker for these. Request! #500queries

Literary Agent
Q135: Way too much synopsis in this F made me lose the characters. #500queries

Literary Agent
Q134: “My book is x and y, but not really, I guess it’s z” is not a good pitch #500queries

Literary Agent
Q133: Superhero. Noooo. #500queries

Literary Agent
Q132: SF military. Way too long and no stakes #500queries

Literary Agent
Q131: MG F, pales in comparison to #130. Pass. #500queries

Literary Agent

Literary Agent
Q130: MG told in a way I rarely seen. Request! #500queries

Literary Agent
Q129: YA. Stakes didn’t match tone, so it seemed a bit off. Pass. #500queries

Literary Agent
An #ownvoices query with clearly defined stakes, exciting, fresh and recent comp titles and a strong voice -- I'd call this a #querywin!

Literary Agent
Q128: YA. Completely unmemorable. Pass. #500queries

Literary Agent
Q127: thinly veiled memoir. Pass. #500queries

Literary Agent
Q126: poorly-written YA query with a lesson. Pass. #500queries

Literary Agent
Q10: ya sci-fi. Third person present, then switches to first, very awkward to read. Pass #tenqueries

Literary Agent
Q9: fantasy. Lots of exposition, but I don't think it helps character, or advance the story. Pass. #tenqueries

Literary Agent
Q125: another book about hell. Passssss. #500queries

Literary Agent
Q8: query for novel/screenplay(?) no sample pages and we are not currently considering screenplays. Pass. #tenqueries

Literary Agent
Q7: third person present tense...I find it awkward to read. Pass. #tenqueries

Literary Agent
Q6: sci-fi/fantasy/dystopian (?) I felt it was difficult to relate to the main character. Pass. #tenqueries

Literary Agent
Q124: YA F. Really well-written but about 20K too short, and didn’t grab me. Pass. #500queries



